SITEWIDE Search Results: “re-use”
Just 4 weeks after the events of 3/11 in Japan, the worldwide PechaKucha community came together to "Inspire Japan." Over $85,000 was raised for Architecture for Humanity and ArchiAid during a non-stop 24-hour PechaKucha event that circled the globe. The process of re-growth is ongoing, and presentations will continue to be added as we continue to inspire.
"Powered by PechaKucha" events are one-off events that are separate from regular city-based PechaKucha Nights, and that are usually held as part of festivals and conferences, but can also act as standalone events. These events include presentations that use the PechaKucha 20 images x 20 seconds format.
In the wake of devastation wreaked by natural disasters globally, PechaKucha seeks to assist in the re-development of all affected regions via the INSPIRE initiative. The road to recovery is a long one, and YOU can help inspire regrowth by sharing your stories here. Get in touch with us via firstname.lastname@example.org to begin.
Nov 09, 2012
The Tin Music & Arts, Canal Basin Vaults
Jun 11, 2013
Mar 26, 2014
The Tin Music & Arts, Canal Basin Vaults
Apr 03, 2014
May 17, 2014
Volta Coffee, Tea & Chocolate
Aug 01, 2014
The Nightingale Room
Jan 25, 2017
Impact Hub Geneva
Nov 30, 2017
Choose to Reuse,Powered by PechaKucha
Powered by PechaKucha @ Kriss Kross Barber & Sneaker Laundry
A Zero-Waste Junkie's Journey to Pesto
BY LISA PELLEGRINO
@ VOL 28
ON FEB 21, 2016
“Three R's! The waste hierarchy! It’s a hierarchy because reducing is more effective than reusing and reusing is more effective than recycling.”
In A Zero-Waste Junkie's Journey to Pesto from PechaKucha Night Atlanta’s 28th volume speaker Lisa Pellegrino discusses what she has learned while recovering from being a “zero-waste junky”. As part of her recovery she is ensuring that she is part of A (not THE) solution on a micro scale. Hear Lisa’s background in sustainability, where that background led her, and where she has followed that road to today… (Hint: pesto is part of it).
This was "PechaKucha of the Day" on Tuesday, April 20th, 2016.
BY CHRISSY BROWN
@ VOL 6
ON JUN 28, 2016
"It's not only a way of life, but it's a necessity for some to survive."
In "Upcycling" from PechaKucha Night St. Neots Vol. 6, Traveller, blogger, and upcycler Chrissy Brown tells us why her passion for saving, collecting and reusing objects and materials has transformed the way she sees the world and helped her win Shed of the Year 2015.
BY JEN SAFFRON
@ VOL 24
ON JUL 14, 2016
Jen Saffron shares about the month-long celebration of creative re-use, transformation & sustainability. Re:NEW Festival programming includes art exhibitions, expos and conventions, markets of artwork and goods made of upcycled materials, workshops, performances, talks and tours, and satellite programs at diverse organizations around the city. Artists and organizations may apply to be vendors or sponsors, and the festival is looking for volunteers.
Creative Re-use of Historic and Industrial Buildings
BY SIMON DEVLIN
@ VOL 8
ON JAN 31, 2017
"There are some really unusual historic buildings out there that have been developed into quite interesting buildings."
Architect Simon Devlin talks about some of the more unusual historic buildings in the UK that have been converted and redeveloped for re-use in clever and profound ways that improve culture whilst retaining their iconic status and historical value.
This was "Presentation of the Day" on July 6th, 2017.
Towards a Circular Economy
BY IULIA FALCAN
@ POLICY SOLUTIONS TO CLIMATE CHANGE CHALLENGES
ON APR 19, 2017
Iulia Falcan shares the concept of circular economy, refering broadly to reducing waste as much as possible on one side, and developing long lasting and re-usable day-to-day products on the other, thus limiting the negative impact that waste has on the natural environment.
The concept of circular economy encompasses many phenomena, of varying degrees of complexity, that allow even the most seemingly disengaged person to have a positive impact on the environment.
Dipping your toe into the sea of knowledge on ways towards environmental sustainability can be overwhelming. However, be assured that there are many small changes anyone can make that will have a positive impact!
Pavilions of Dreams
BY JESSICA SHERIDAN
@ NEW YORK BUILD
ON MAR 16, 2017
Architect Jessica Sheridan talks about the annual Figment Pavilion design competition on New York City's Governors Island.
Jessica Sheridan, AIA, LEED AP BD+C, is a Senior Associate at Mancini Duffy. She manages accounts for international financial and technology firms. Jessica is a NY Regional Representative on the AIA Strategic Council. She is passionate about Resilience and Placemaking.
Fra Grums til Gourmet
BY LASSE MELGAARD
@ VOL 34
ON SEP 13, 2017
The group "Fra Grums til Gourmet" (Eng: "From used coffee grounds to gourmet") focuses on collecting used coffee grounds from Aarhus' many restaurants and using it to grow mushrooms. Lasse Melgaard walks the audience through the process and the ideas behind it, and how it unlocks the unused potential of used coffee grounds.
SITEWIDE BLOG POSTS
Candidates to Use the PechaKucha Format
Who says the 20x20 PechaKucha format can't work for politicians? PechaKucha Night in Aalen organizer Thomas Maile sends word of an interesting use of the format, read more below:In our part of Germany, Baden-Württemberg, we have in a few weeks an election for a new parliament. For our home region, we have five candidates who are vying to become a member of parliament. Through our local newspaper, we are organizing a PechaKucha Night for politics. All the candidates will give a PechaKucha presentation to talk about their views and their party. Following the presentations, we are planning a discussion session with visitors.The event happens this coming Monday (February 28) -- here's the event page, and here are more details in German, as published in the Schwabische Post. And take note that the next regular PKN in Aalen, Vol. 6, will happen on March 25 at Freudenschmaus -- you'll find the full list of presenters with links on the official event page.
How to Use the Logo
We wanted to share an example of how we see the Global PechaKucha Day - Inspire Japan logo being used, overlayed on images that show exactly what Japan has just gone through. As we mentioned before, the logo was designed by Tokyo-based designer Ian Lynam, and we've already made it available to all our PKN organizers, to use on the posters and flyers, or website banners, that they plan on making for their events. The example you see here uses a photo taken by Tokyo-based creative director/photographer Max Hodges. Max went up to the Northern regions of the country following the March 11 earthquake, and has shared some extensive galleries of photos on his site. We plan on using more of Max's photos for our banners for the event, and we're hoping that Max will also agree to do a PechaKuca presentation based on what he experienced up there.
Samuraidea: How to Use Identity for Collaboration
In this edtion of Presentation of the Day (from PKN Tokyo, Vol. 102) Akira Uchimura questions the importance of nationality to our individual identity. As a person born in Costa Rica to a Japanese father and a Chilean mother, Akira spent much of his youth attempting to pin-point his being, his place on this planet. To hear him go into detail on the concepts of blood and nation, give his presentation a listen.
Re-creation: our vol 14
Another great Pecha Kucha event in Coventry last night. Thanks to everyone who played a part in making it so ace - and, for those who missed it, here it is in tweets as a storify.
PechaKucha GNV v10: Re(consider) The Bicycle
For the poster for Gainesville's PechaKucha GNV v10, organizer Anthony Rue looked back through the history of bicycle design to find a rather whimsical reinvention from the first decade of the 20th century for the anchor graphic. It teases out the theme of the evening's presentation, a re-imagening of the bicycle as a prism to view connections in our community.
Re-Thinking Maps and Mapping
By Jess Dunkin, On the Land Programs Consultant, NWT Recreation and Parks Association In late May, the NWT Recreation and Parks Association (NWTRPA) and the Prince of Wales Northern Heritage Centre (PWNHC) co-hosted the second of four PechaKucha Nights slated to happen in Yellowknife this year. The theme of this evening was Maps and Mapping, a topic which clearly resonated with Yellowknifers, as once again we had to add seats at the last minute! You can read about the first PechaKucha here. Maps are more than tools for navigation. They are also rich historical and cultural objects that tell us something about how we see the world. This makes them ripe for analysis and reflection, a fact that was amply demonstrated by the evening’s six presenters. MC Mike Mitchell introducing the evening (Photo: NWTRPA) The PechaKucha opened with a funny and thoughtful introduction by the snappily dressed MC for the evening Mike Mitchell. With a hand full of well-worn maps from his travels in British Columbia, South America, and the NWT, Mike demonstrated how maps remind us of journeys taken, people encountered, and experiences had. The first presenter was Yellowknife-based photographer Fran Hurcomb, who spent her 6 minutes and 40 seconds “unrolling” what might be the country’s longest map: a 128-foot long map of the Dehcho (Mackenzie River). After explaining how the map was used by boat captains navigating Canada’s longest river, we journeyed with Fran, her partner Dave, and their daughter from Hay River to Inuvik. This trip formed the basis for an exhibition at the museum a few years ago that linked archival photographs and her own images to points on the map. (Photo: Fran Hurcomb) The second presentation, which was delivered bySteve Schwarz, transported those gathered at the museum, from the NWT’s waterways to the skyways. Steve, a remote sensing analyst with the GNWT, demonstrated how satellite images and aerial photographs can help us to map, monitor, and better understand landscape change from forest fires in the Tłı̨chǫ to shoreline erosion on the Arctic Coast to slumps in the Gwich’in Settlement Area. Steve was followed by Rajiv Rawat, a mapmaker and media/tech specialist at the PWNHC with an almost encyclopaedic knowledge of the fantasy genre. Rajiv wowed the audience with his engaging analysis of maps and representations of the North in fantasy literature, films, and television shows. From the fourth presenter, Ingrid Kritsch, Research Director of the Gwich’in Tribal Council Department of Cultural Heritage (formerly the Gwich’in Social and Cultural Institute), we learned the story behind the Gwich’in Place Names project. Since 1992, the GTC has worked with elders and knowledge holders to gather information about named places in the Gwich’in Settlement Region. This information has formed the backbone of the Gwich’in Place Names Digital Atlas and a series of place-name maps produced by the GTC. Simon Whitehouse with the Rand McNally Geo-Physical Globe (Photo: Simon Whitehouse) Next, local journalist Simon Whitehouse reported on research he conducted while a graduate student into the history of the Rand McNally Geo-Physical Earth Globes. Long before the crew of Apollo 8 photographed the earth from space, these large globes (they measured six feet in diameter and weighed more than 400lbs!) allowed Americans to see a realistic interpretation of the world they inhabited. Simon also demonstrated how the globes captured advancements in various postwar sciences including geology, cartography, ecology, and space science. The evening’s final presenter was Tom Andrews. Before he accepted a position as an archaeologist with the GNWT, Tom worked for the Dene Nation on the Dene Mapping Project, a traditional land use and occupancy survey of Denendeh. The project team worked with 600 Dene and Metis trappers to document their land use on large maps. What is less well-know about the project is the long and tedious process of computerizing the information gathered during the many interviews, something that become abundantly clear during after Tom’s presentation. The Mapping Project has inspired and furnished data for other regional mapping project including the Sahtu Atlas and the aforementioned Gwich’in Place Names Atlas. Pop-up exhibit on maps and mapping (Photo: NWTRPA) In addition to the six presentations, the night featured a pop-up exhibit about maps and mapping that included a map roller used on board the CCGS Tembah, panels from the Gwich’in Place Names project, Bonnie Fournier’s art maps, and information about a mapping project graduate student Amanda DeGray is undertaking with the Yellowkives Dene. Bonnie Fournier with her art maps (Photo: NWTRPA) Arctic Tern furnished the presenters with maps as thanks for all of their hardwork. If you missed the event, some of the presentations are available here.
"Words are really powerful, and if we’re going to use them to express the people we are and the feelings that we have, let’s make them count!" In Magic Words from PechaKucha Night Tokyo Vol. 137, Hengtee Lim looks at how words inspire new ideas, create a shared experience, and foster understanding. Lim argues that there's a power in words and the way we use them to express ourselves and tell stories.
Meanwhile Use, Long Term Legacy
“We programmed events that can brought people together.” In "Meanwhile Use, Long Term Legacy" From PechaKucha Night Glasgow Vol.28, Gemma Leigh Holyoak is working for Ash Sakula Architects on a number of community led projects from brief building in contested spaces to meanwhile use on slack sites across London. She curated the events programme and outreach for the last 18 months of the Caravanserai’s life and now it’s legacy in both the local area and with wider audiences.Recently she was working in a group to think about how we scale up grassroots projects as a model for the future development of places and how to negotiate the gap between bureaucracy and the street.
Creative Re-use of Historic and Industrial Buildings
"There are some really unusual historic buildings out there that have been developed into quite interesting buildings."Architect Simon Devlin talks about some of the more unusual historic buildings in the UK that have been converted and redeveloped for re-use in clever and profound ways that improve culture whilst retaining their iconic status and historical value.
Re-Imagining The Art of Eroticism
"Sex is a universal and instinctual act but socailly and culturally stackly informed." In Re-Imagining The Art of Eroticism from Pechakucha Night Tokyo Vol. 148, Aiko Robinson is a Christchurch based artist of Japanese and New Zealand heritage. Inspired by shunga, Japanese erotic woodblock prints from the Edo period (17th-19th century), Aiko's artworks can be seen as a whimsical and playful fusion of the historical Japanese art form and contemporary pornography. Aiko Robinsonさんは、日本とニュージーランドを拠点に活動するアーティスト。日本の春画に影響を受けた彼女の作品は、滑稽さと遊び心、伝統と現代的表現が融合した世界を創出しています。