SITEWIDE Search Results: “memory”
Museum of Dreams
Jun 14, 2013
Aug 20, 2014
The Tin Music & Arts, Canal Basin Vaults
May 19, 2015
Escuela Libre de Arquitectura
Aug 28, 2015
Aug 27, 2016
Langgeng Art Foundation
Jul 28, 2017
Nov 02, 2017
Nov 28, 2017
Auditorio de FACSA
Feb 24, 2019
Aug 22, 2019
A GARA COL TEMPO SENZA OROLOGIO – La Percezione del Tempo Negli Animali e Bambini.
BY EVELINA ISOLA
@ VOL 10
ON OCT 31, 2014
This project have been presented to the 12th edition of Genoa Science Festival, as a playful lab for kids. Do animals have perception of the time? According to some scientists, only humans have a real memory, while the other animals have a perception of the time limited or episodic. A different perception of time can have different utilities according to escape strategy, communication or feeding. Time and its perception are not relative only on physics books! This happens in a lot of very small animals, for example the flies that perceive the world with a slow motion effect.
In other species the perception of time is connected to their movement in the space, as in case of dolphin and bats biosonar. Children are conducted in a fascinating “time travel” in their time perceptions, from the perception that themselves have, to try out what other animals fell of time, according to the different utility in the survival strategies.
Spatial Memory Mapping
BY LYLA CATELLIER
@ VOL 8
ON MAR 04, 2016
Lyla Catellier gives good directions! At PechaKucha Night Brooklyn Volume 8, Lyla put her 7 siblings to the test - a test of spatial memory mapping. With 5/7 siblings worth of maps of her hometown, Lyla explores the wonders of the hippocampus.
Lyla is a lady living in Chelsea NYC. She currently directs public programs and events at Columbia University GSAPP and was once called a swiss army knife. She is a logistics maverick, and has always wanted someone to refer to her as a maverick, and at PK Brooklyn Volume 8, we did!
A Wall and A Column: 2 Projects
"A wall and a column...what they have in common is an interest in looking at the cultural agency of traditional building materials and their ability to speak."
In A Wall and A Column: 2 Projects from PechaKucha Buffalo Vol. 16, architect and University at Buffalo Peter Reyner Banham Fellow and Visiting Assistant Professor Ang Li presents a pair of site specific installations that explore the cultural agency of vernacular building materials. Horror Vacui is an installation in Lisbon, Portugal that examines the ability of building facades to “speak” through the medium of the Portuguese “azulejo” - hand-painted ceramic tiles often depicting scenes from historic or civic events. The piece explores the narrative potential of bricks and mortar within contemporary image sharing and crowdsourcing platforms. No Frills is an installation in Buffalo, New York that stems out of an interest in the industrialized production of terracotta in the 19th century as a new kind of ornamental language. In a semi-abandoned Chevrolet Factory by the architect Albert Kahn, a 13-foot column interrupts the existing grid of the assembly floor, acting as a bridge between the vast scale of obsolete industry and the human scale of the architectural ornament.
Memory Walks - Is This The Way I Went?
BY ARTHUR HUANG
@ VOL 136
ON JUN 02, 2016
"I have over 1500 eggs in my studio at home [and] a very understanding wife."
In Memory Walks - Is This The Way I Went? from PechaKucha Night Tokyo Vol. 136, artist and scientist Arthur Huang talks about the evolution of his Memory Walks Project which he began in 2012. This project draws influences from his research work in neuroscience and delves into ways of visualizing everyday memories, on all of all things, eggs. His solo exhibition of the same title is on display at HAGISO from May 17 - June 5, 2016.
This was "PechaKucha of the Day" On Friday, June 10th, 2016.
Art of the Pencils
BY CAROLINE WEAVER
@ VOL 16
ON SEP 01, 2016
“Pencil is a small thing that can make a big difference in the lives of people who use them.”
In "Art of the Pencil" from PechaKucha Night New York Vol.16 , Caroline Weaver, amateur pencil collector but lifelong pencil lover, founded CW Pencil Enterprise in November 2014. With her pencil experts, Caroline digs up the stories and origins of these objects and make them accessible to those who appreciate them for their functionality, beauty and history. As simple as it may be, the pencil is something which despite advances in technology will never become obsolete.
This was "PechaKucha of the Day" on Tuesday, December 13th, 2016.
A Brief Memoir of Architectural Space
BY JOANNA GILLESPIE
@ VOL 17
ON SEP 15, 2016
"This is my 6-minute memoir. A mediation on impermanence."
In A Brief Memoir of Architecural Space from PechaKucha Buffalo vol. 17, independent arts consultant and co-organizer of PechaKucha Buffalo, Joanna Gillespie, delivers a meditation on twenty of the fifty places she has lived since birth. From Victorian-era structures in Buffalo, NY and San Francisco, CA, to the wilds of the 1970's California coast, to modern and efficient rural Japan, to a Postmodern art utopia in Maine, and beyond, Gillespie recounts a particular memory from each space. Through all of the temporal landscapes we find ourselves in, Gillespie concludes, "We forge on, either clumsily or assuredly. We keep on keeping on." Even if we move fifty times.
BY JEAN-MICHEL REED
@ VOL 17
ON SEP 15, 2016
"An architect, it seems, has to be an optimist and idealist. That by building we're somehow making the world a better place. But before you need buildings, you need people."
In Collage City from PechaKucha Buffalo Vol. 17, artist, designer, realtor and retired paramedic, Jean-Michel Reed, shares stories and perceptions of Buffalo, New York as an intimate outsider. Reed moved to Buffalo in 1992, working first as a paramedic, and later transitioning to both a designer and a realtor as the city attempted an about face. Cites are made first of people, and then within those individual people, of experiences. It is this combination of convergent and divergent experiences that construct the sociological makeup of place and city, which, in turn manufactures the physical landscape.
This was "PechaKucha of the Day" on Wednesday, December 14th, 2016.
Mnemosyne & Sleep Temples of Ancient Greece
BY SARAH JANES
Writer and host of The Explorers Club - a small lecture salon in St. Leonards on Sea, Sarah Janes talks about her interests in dreaming, the occult and spiritual sciences. An intelligent and humorous look at Mnemosyne - the personification of memory in Greek mythology, and her influence.
A Centenarian Remembers
BY GRAHAM BATHGATE
@ VOL 30
ON OCT 15, 2016
Graham Bathgate lyrically describes his conversations and discoveries with centenarian Thelma McLean as part of a book he presented Thelma for her 105th birthday: about poetry she learned at school and loved, and could still recite; images of when she was growing up; and a life of reflections. Thelma has passed on. This delightful warm presentation enshrines her life and memories. E nga mate, haere, haere, haere atu ra!
Our Relationship with Photography
BY SAMMI SPARKE
@ VOL 12
ON APR 25, 2019
"When I see photographs of myself as a child I want to go back and meet that child and find out what I was like."
Photographer Sammi Sparke walks us through some images from her family album and goes beyond nostalgia and instead digs deeper and explores the memories that define us as individuals and how that affects our future.
SITEWIDE BLOG POSTS
In Memory of Albin Oskarsson
This is a photo of Albin Oskarsson (taken by Thomas Bergh) presenting at PKN Gothenburg Vol. 7 on April 9, 2008. He was a bit nervous ,and twisted and turned on stage while presenting personal photos he had taken of his friends and the quirky stories behind them. We all liked Albin from the start, and he later became our event photographer of choice. He took some of the best photos of PechaKucha we've ever seen, before following his dream and moving to Charmonix for a life of adventure. Albin was happy in Charmonix. In this post is a self-portrait he took and uploaded with the caption "My family, my toys, and my favourite obsessions." Sadly and unexpectedly, Albin passed away in March of this year after an avalanche accident while snowboarding. In memory of Albin, and with the permission from his family, we're releasing some of his PechaKucha photos under a Creative Commons license BY-NC-SA. You are more than welcome to download and use the images below in all non-commercial projects, such as PechaKucha, as long as you credit Albin Oskarsson. Download link for PKN Gothenburg photos by Albin Oskarsson. And remember, today is always the best day to tell someone how you feel about them. Guest post written by PKN Gothenburg organizer Jesper Larsson.
“I traveled the world, made friends - but lost 5 years of it in an instant.” Tamim Al-Kadasi is a traveler, teacher, and friend to many in countries from all over. In “Only Memory” from PKN Sana’a Vol. 4, he speaks of an accident that altered his life, had him lose 5 years of memory, and how it has strengthened and empowered him to create new ones.
Memory of Place
“I’m interested in the new spaces we’re forced to inhabit after disasters.” Artist Victoria Buck is interested in the conflicting concepts of protection, vulnerability, and hope in the time during and following abrupt natural disasters. In “Memory of Place” from PKN Knoxville Vol. 14, she discusses her work, and how it’s intended to investigate the naive trust we place upon the shelter systems we have in place, and their supposed ability to protect us.
The Beginning of Memory
"The story of Buffalo is inextricably linked to the notion of memory. That memory is now in danger." In The Beginning of Memory from PechaKucha Night Buffalo Vol. 14, Spanish architect and academic Miguel Guitart remembers the importance of Buffalo's signature past and visual legacy that has made the city unique, and compels the audience to slow down enough to observe it for themselves, together on a quest to find it's soul once more. In this beautiful poetic performance, he shares a series of ephemeral photos of the city, titled "Americana" with music by Philippe Rombi and excerpts of Laurie Anderson's "The Beginning of Memory", illustrating that despite PechaKucha's fixed format, presentations can take all forms.
Memory Walks - Is This The Way I Went
"I have over 1500 eggs in my studio at home [and] a very understanding wife."In Memory Walks - Is This The Way I Went? from PechaKucha Night Tokyo Vol. 136, artist and scientist Arthur Huang talks about the evolution of his Memory Walks Project which he began in 2012. This project draws influences from his research work in neuroscience and delves into ways of visualizing everyday memories, on all of all things, eggs. His solo exhibition of the same title is on display at HAGISO from May 17 - June 5, 2016.
A Brief Memoir of Architectural Space
"This is my 6-minute memoir. A mediation on impermanence." In A Brief Memoir of Architecural Space from PechaKucha Buffalo vol. 17, independent arts consultant and co-organizer of PechaKucha Buffalo, Joanna Gillespie, delivers a meditation on twenty of the fifty places she has lived since birth. From Victorian-era structures in Buffalo, NY and San Francisco, CA, to the wilds of the 1970's California coast, to modern and efficient rural Japan, to a Postmodern art utopia in Maine, and beyond, Gillespie recounts a particular memory from each space. Through all of the temporal landscapes we find ourselves in, Gillespie concludes, "We forge on, either clumsily or assuredly. We keep on keeping on." Even if we move fifty times.
Can Memory be Restored?
"Some memories actually emerge to protect us from danger." in "Can Memory be Restored?" from PechaKucha Night MaastrichtVol.31, researcher from Germany at Maastricht University,Sarah-Anna Hescham wants to show us new ways that are being explored to deal with and even restore memory loss. Remembering and forgetting are two important sides of the same coin that help us manage our day to day lives. We do not need to remember everything, just what is important. But for some people, especially older people, forgetfulness can happen more often... Is there a cure?
Memory Imprints of Papua New Guinea
"Memories were triggered and ideas for drawing came flooded back into my mind."In Memory Imprints of Papua New Guinea from PechaKucha Night Sunshine Coast, visual artist Ulrike Sturm focuses on her work with artist’s books, printmedia, and visual narratives. As a teen Ulrike lived in the Highlands of Papua New Guinea (PNG). The impact of that amazing experience never really left her and she cherished the vivid childhood memories she had of those years. It is perhaps strange then, that she didn’t go back there for such a long time, only once until two months ago. Ulrike’s Pecha Kucha talk is therefore about her recent trip to PNG, what adventures she encountered, and how all this relates to her creative practice as a visual artist. This includes her ephemeral vinyl artworks – many of which draw on memory and are destroyed at the end of the exhibit.
Can Memory be Restored?
"Some memories actually emerge to protect us from danger." In "Can Memory be Restored?" from PechaKucha Night Maastricht Vol.31, Researcher from Maastricht University, Sarah-Anna Hescham shares new techniques that are being explored to manage and even restore memory loss. Remembering and forgetting are two important sides of the same coin that help us manage our day to day lives. But for some people, especially the elderly, forgetfulness is a common occurrence... Does a cure exist?
Remembering the Memoir
Jennifer Venice Love is a teacher, writer and self-described perennial student and audiophile. In her own words, "Words have power, and I believe in the hypotenuse as much as the right angle." She has been digging up personal photos and listening to and reading others' stories in an attempt to unravel the inevitable knot of family and identity in the context of foster care, adoption, and abuse. In her presentation, she will explore the artistic process of exploring the wounded child within while acknowledging the importance of finding her own purpose, through teaching and traveling, as an adult.