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SITEWIDE Search Results: “black history”

PAST VOL 2

Springfield, MO @ LemonDrop
Apr 01, 2011

PAST VOL 40

Seattle @ Olympic Sculpture Park PACCAR Pavillion
Nov 29, 2012

PAST VOL 66

Seattle @ Seattle University Pigott Auditorium
Nov 02, 2015

PAST PechaKucha Event

Powered by PechaKucha @ University of California, Merced - Lakireddy Auditorium COB 102
Feb 20, 2016

PAST VOL 25

San Diego @ La Jolla Historical Society
Aug 25, 2016

PAST VOL 24

Bozeman @ The Ellen Theatre
Sep 13, 2017

PAST VOL 24

Bozeman @ The Ellen Theatre
Sep 14, 2017

PAST VOL 6

Xiamen @ 厦门SM新生活广场
Jun 17, 2017

PAST VOL 25

Sheffield @ Local Authority (upstairs at Corporation)
Oct 19, 2017

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Dallas Black Dance Theatre

BY ANN WILLIAMS
IN DALLAS

Ann Williams talks about the Dallas Black Dance Theatre, a performance and learning center, walking us through its various programs, and highlighting some of the shows it has hosted. (in English)

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Black in The Day

BY WILLIE SLAYDEN
@ VOL 1 ON OCT 15, 2015

How much do you know about black history? The presenter shares historic moments of American history in relation to how black community members were treated by their white counterparts while also highlighting the assets of a black community in Tulsa Oklahoma.

 

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Turning Black Thumbs Green

BY KATHY JENTZ
@ VOL 3 ON APR 10, 2015

Kathy Jentz is a gardener and editor of Washington Gardener Magazine. She doesn't believe in "black thumbs", only green thumbs waiting to sprout. Kathy shares the best tips to turn black thumbs into green thumbs.

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Love... Framed in Black & White

BY PAULA WRIGHT
@ VOL 29 ON MAY 22, 2016

Paula Wright's story comes to us from over 200 years in the past and through a family's photo albums, handed down through the years. This true tale sees the HIGHLY unlikely and, at the time, illegal union of two individuals and where that union lead them... Join us as Paula relates this tale, true in every regard, and learn what happens when loved is framed in black and white. 

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Building Black Utopias: Modeling the Architectural Principles of African American Literature, 1960-1975

BY CHARLES L. DAVIS, II, PH.D.
@ VOL 17 ON SEP 15, 2016

"We started with several books that looked at the brownstone as a site of intervention."

In Building Black Utopias: Modeling the Architectural Principles of African American Literature, 1960-1975 from PechaKucha Buffalo vol. 17, Charles L. Davis, II, Ph.D., Assistant Professor of Architecture at the University of North Carolina at Charlotte, shows works from his recent exhibition project, Building Black Utopias, and discusses the literature that served as inspiration. 

The Building Black Utopias project combines the tools of the architect, the historian and the literary critic to recover the historical contributions of African American writers to architectural utopian thought. It specifically examines the role of literary depictions of place in June Jordan, Amiri Baraka, Paule Marshall and Angela Davis’ writings. Davis argues that each authors’ rhetorical manipulations of the built environment operates on the same level as architectural utopian thought insofar as both mediums created rich, alternative depictions of modernist space to liberate the architect’s imagination. The final exhibit translates the spatial ideas of literature into drawings, models and other ephemera.

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Black Edmonton: Our History, Our Legacy

BY BASHIR MOHAMED
@ VOL 28 ON JUN 01, 2017

"This history is not meant to shame. It's based on the principle that the first step to step a problem is to recognize that there is one."

Bashir Mohamed shares personal and historic anecdotes of racism and resistance against Black Edmontonians. Through his story and others, Bashir explains the importance of learning and celebrating this history in order to understand contemporary racism and why groups such as Black Lives Matter are relevant now more than ever.

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Black Grief: The Silent Killer

BY RONNIKA WILLIAMS
@ VOL 11 ON DEC 07, 2017

Ronnika Williams is a graduate of Benton Harbor High, Western Michigan University, North Carolina Central University, and the Center for Documentary Studies program at Duke University. Ronnika is a children’s book author, nail polish enthusiast, and she will talk about what inspired her multimedia documentary project about grief in the black community.

 

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Amazing Black Women Not In Your History Book

BY RAYVEN HOLMES
@ VOL 18 ON MAR 10, 2018

It wasn't until Rayven Holmes was out of school that she discovered on her own that history also included amazing black women, and not just the old white guys that were in the school history books. Here is a small collection of those amazing black women, and why we need to get them included in the history books.

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Black Box Realities

BY LEE KEBLER
@ VOL 27 ON FEB 22, 2018

Lee Kebler talks about advancing tech in VR and AR. 

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Mane Street

BY RAYVEN HOLMES
@ VOL 19 ON MAY 25, 2018

This is an artistic stroll through black kink. Rayven Holmes shares an enlightening presentation about the styles and the underlying culture of contemporary Black hair styles.

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PKN Kuala Lumpur in Black and White

We'll have photos from last week's PechaKucha Night in Kuala Lumpur Vol. 7 soon enough, but in the meantime here's a great moody shot from the event by Flickr user shootanemo, a Kuala Lumpur-based graphic designer and photographer.

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A History of British Accents

How do you pronounce the letter "H"? Do you say "HAY-tch", or "AI-tch"? In this edition of Presentation of the Day (from PKN Toronto Vol. 16), Mark Staplehurst goes into detail on the history and variety of British accents. The way one speaks in England often says a lot about the way they are perceived -- the class from which they hail, their level of intellect, and their upbringing. As many say George Orwell said (thought it was Wyndham Lewis who said it first): "All Englishmen are branded on the tongue from birth." 

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Restoring Liberia's History

During and after the Liberian Civil War, countless photos were burned and with them bits of history were lost. In today's Presentation of the Day, "Restoring Liberia's History" from PKN Vancouver Vol. 28, Jeff Topham and his brother set out to retake old pictures of their childhood home of Liberia. Along the way, they ended up restoring the history of their old country, exposing a new generation to photos of a near unrecognizable Liberia, before rebels and war tore the country apart. Their project (Liberia '77) collected photographs of Liberia from expats and those who maintained photographic remants of the region, and eventually culminated in a gallery exhibition. 

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Fear of a Black Planet

"Who stole the soul?" In today's Presentation of the Day, "Fear of a Black Planet" from PKN Winnipeg Vol. 9, DJ, producer, and promoter Tim Hoover raps (quite literally) on his greatest passion: hip-hop music. He shows us how the Public Enemy album Fear of a Black Planet changed his life, led him to tour the world, and grew into a career in audio engineering.

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A Brief History of Distilling in New York

Christopher Williams gives a brief, but detailed history of distilling in New York. In "A Brief History of Distilling in New York" from PKN Garrison Vol. 4, he goes into depth on the Golden Age of distilleries in the state prior to prohibition and their subsequent demise. Christopher goes on to describe the contemporary reemergence of the industry--a New York distilling "renaissance".

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Cycling is the New Black

Cycling isn't back in style -- it never left.  Richard Hayman describes his two passions: cycling and architecture. They may seem like two different ideas, but they have more similarities between them then people may think. In "Cycling is the New Black" from PKN Christchurch Vol. 18, Richard talks in more detail about the relationship between cycles and architecture and how both are a series of different parts that join together to make a beautiful whole. 

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Most Successful Fraud in History: William Shakespeare

Everyone knows of William Shakespeare, but are the facts about him true? Barbara Hobens doesn't believe it for a second, and in fact denounces him as the true author of the classic plays and writings. In "Most Successful Fraud in History: William Shakespeare" from PKN Garrison Vol. 5, rather than entertain notions of common knowledge, she gives convincing evidence on how the noble Edward de Vere is likely the true Shakespeare we know and love. 

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Beyond Eating Local: Using History as a Guide to a New Food Security

How can Hawaii become the model agricultural society for the world? Josh Lanthier-Welch gives a great crash-course on the agricultural history of the Hawaiian islands. The islands went from feeding being self-sufficient to entirely reliant on imports. In "Beyond Eating Local: Using History as a Guide to a New Food Security" from PKN Honolulu Vol. 18, Josh shows us how the Hawaiians can once again utilise their lush volcanic farmland to return themselves to a sustainable, self-sufficient agricultural society.

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Growing Up Black in Britian vs. America

"My dad left when I was 15 months old and that's the first reason I'm glad I grew up in England."In Growing Up Black in Britian vs. America from Madison Vol. 13, a British-born, Chicago-based journalist, Gary Younge shares his insights of the complexities of race while growing up and living in two different countries. While facing the challenges of racial inequality in both American and Britian, Younge offers a unique persective on the merits and pitfalls and over all complex issues of race in both societies. Check out this facinating presentation!

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The Long Black Wig Project

“Recall the idiom Everything But the Kitchen Sink…This is NOT that space.” In The Long Black Wig Project from PechaKucha Night Bryan’s 5th Volume Speaker Becky Eddy Phillips rhythmically details a her multimedia artistic piece. The Long Black Wig Project enters contemporary plots in art, science, domesticity, mothering, and feminism. Using art like a verb, it wavers in leaps and falls between the intellectual and domestic realms. At the same time, the work is introspective, balancing the overlapping (though historically antithetical) realms of mother and artist: how to stay connected to art depends on the artists connectivity to her children. An ambitious multi-media exhibit, it is contained within A Vacuous Space. A multitude of video vignettes are projected within it’s relative space. With titles such as Miss Sara Tonin’s Fancy and My Feminism Hurts My Marriage, the imagery is strangely eerie with a feminine edge as if there were an invisible link to the past lives of women associated with Surrealism. A long wig is seen throughout the work and acts as a connective fiber.