SITEWIDE Search Results: “Freedom of Expression”
Sep 24, 2009
Roskilde Festival - expression stage
Jun 29, 2010
Dec 01, 2012
Signatures Cafe, Marion Cultural Centre
May 06, 2015
begawan coffee and gift
Sep 09, 2016
Sep 15, 2017
Apr 29, 2018
Nov 21, 2018
Dec 14, 2018
Apr 27, 2019
Freedom To Express Yourself
BY LILY CHIAM
@ VOL 2
ON FEB 07, 2015
Optimistic musician and founder of Expression Music Academy, Lily Chiam, decribes how she emerged through her love for music to becoming a composer, performer and educator internationally. Here, she encourages all to pursue their talents and dreams, both big and small.
Momentum of Movement
BY AVRINA PRABALA-JOSLIN
@ VOL 7
ON MAY 09, 2017
In an emotional speech, Avrina Joslin makes a strong point, to why everyone should be a feminist:
What does it mean to be an anti-homosexual? What does it mean to be an anti-feminist? Can personal opinions or thoughts without activism affect the momentum of movements? But, freedom of expression you say? Well, thoughts have a way of spreading...
Inconvenient freedom: universities in democratic reversals
BY LUTZ KREBS
@ VOL 33
ON MAY 22, 2017
Lutz Krebs is a strong advocate of academic freedom. As an academic researcher and education professional, he believes that freedom of research and education are essential for the future of any country. He is concerned that recent reversals of academic freedom in a number of European countries mirror events in the past — and suggests that they serve as warnings for the future.
Journalist & digital start-up founder, Rohan Jayasekera makes the case for Freedom From Torture and brings our attention to International Day in Support of Victims of Torture. An emotional insight into the difficulties of surviving torture, through supporting others who have been victims of torture.
The Freedom of becoming a woman after being a girl
BY LINN SOLVIG
@ VOL 9
ON SEP 15, 2017
The title, talk and audio says it all.
3 min changed my life
I was a leading rights activist in Sri Lanka for decades, my passion being peace with justice and freedom of expression with social responsibility. I came to Geneva on 24th May 2009 to make a intervention at UNHRC special session on Sri Lanka for post war justice. That 3 minute speech changed my life, I was not able to go back home and became a refugee, Geneva became my second home.
SITEWIDE BLOG POSTS
What Is PechaKucha to You?
As part of Bucharest's PechaKucha Night Vol. 7 (see photos here), organizers handed out a simple questionnaire to attendees, to get some feedback on the event and format. Here are some of the key words and thoughts that came out of it: The presentation itself with images, the joy and curiosity of people around me, everything by now, the freedom of expression, the creativity, the social network, the innovative concept and diversity of subjects, interesting presenters and beautiful ideas, atmosphere and place, concision, the idea, presenters' and participants’ spirit and attitude, the format and the moderator, the original subjects, the fact that no one can monopolize the microphone, originality, freedom, the different way of interaction between people, free style, short presentation and super atmosphere, diversity, the format, you cannot get bored by presentations, informal atmosphere and presentations, the golden rule: 20x20.
When rules are made to be broken
By Sueli Brodin There are two expressions which still puzzle me in the Netherlands, because they are both very common and yet contradictory. The Dutch use them in all sorts of situations and to me they are typical of their unique double approach to life: “Doe maar gewoon, dan doe je al gek genoeg”, or simply “Doe maar gewoon”: Just act normal, and you will act crazy enough, meaning “Blend in, don’t stick out from the crowd.” This second expression is actually characteristic of the Dutch entrepreneurial spirit, which thinks in terms of yet another very common saying: “Gewoon doen“, or “Just do it“. A quick check on Twitter shows that both #doemaargewoon, #moetkunnen and #gewoondoen are indeed very popular hashtags among Dutch Twitterers. Like many foreigners, my first encounter with a “Doe maar gewoon” moment was at my husband’s parents’ house when I understood that we were not meant to help ourselves to more than one biscuit from the biscuit box, because my mother in law closed the lid after serving everyone and put the box back into the kitchen cupboard. But then, my mother in law is also the first one to smilingly give in to her grandchildren’s craving for a second piece of her delicious homemade apple pie: “Het moet kunnen,” she thinks out loud. At the Euregio-Taalregio Language conference in earlier October, Huibert de Man, a professor at theMaastricht School of Management, illustrated the same ambivalent cultural feature of the Dutch with an experience he had in India. He had asked a mixed group of Dutch and Indian students to prepare an assignment following a set of guidelines. As it turned out, the Indian students faithfully stuck to his instructions, whereas several of the Dutch didn’t. And much to the Indian students’ protest, he had not penalised the insubordinate Dutch for disregarding the guidelines, and had even rewarded some of them high marks for the originality they had displayed in their work. The skill, especially for a foreigner, is to sense when the situation calls for conventional behaviour, or when it is possible and even welcome to bend the system. At PechaKucha Night however, one thing is obvious: the appeal of the fixed 20 x 20 presentation format (20 slides x 20 seconds per slide) seems to lie precisely in the fact that it provokes candidate speakers into devising creative ways to experiment and play with it. That’s how over the past editions, we’ve seen Liesbeth Schreuder perform her presentation about art for the blind entirely in the dark, Susan Schaefer integrate moving images and music into her poetry for change, two talks by Stijn Segers and Markus Bediako accompanied by a guitar and a djembe drum as well as a total improvisation on unknown images. And: “Het moet kunnen”, or just “Moet kunnen”: This must be possible, in the sense of “I’m going to stick out by doing this, but what the heck.” New surprises were awaiting us again on our last PechaKucha Night, a special edition on Education and Creativity. While some speakers drew their strength from the mixture of rich content and powerful visuals, such as Wim van den Bergh with his eloquent talk on Middles, Means and Mind, others decided to “trick the organisation” as Paul Iske laughingly put it when he presented his Combinatoric Innovation theory. On two occasions, Iske resorted to slides consisting of four smaller built in images which filled the screen one by one every five seconds. Cyriel Kortleven also slightly deviated from the regular format by bringing a flip board along on which he made some drawings as part of his presentation, and by engaging the audience through questions and small exercises. As for Airan Berg, the former artistic director for the performing arts at last year’s European cultural capital Linz, he outdid every performer we’ve welcomed so far at PechaKucha Maastricht, for he didn’t bring any slides at all. Or rather, he did, but they were almost entirely black, merely bearing the numbers 1 to 20. Berg first showed us how to cross our fingers in a certain, quite unnatural way, and asked us to keep them like that until the end of his presentation. This slightly uncomfortable position, he explained later, was meant to help up stay alert and focused. Then he invited us to close our eyes and proceeded to describe a compelling educational pilot project he will be carrying out in 2011 in several schools across the Meuse-Rhine euroregion as part of Maastricht’s bid to become European capital culture in 2018. He started off all his sentences with the verb “Imagine” and so we imagined and visualised his dream, slide by slide, to the captivating rhythm of the 20 second sequence. It was a very straightforward PechaKucha experience, because Berg did abide by the requested the 20 x 20 format, but undoubtedly a very creative one, since he made each one of us see a different presentation by entirely creating it ourselves. It was also a demonstration of the point Wim van den Bergh had argued earlier in the evening, namely that creativity is generated, not by boundless freedom as often misconceived, but by rules and borders. Considering that Airan Berg will now be joining the Maastricht artistic team for 2018, it looks like we’d better tighten our seatbelts for more “#moetkunnen” sensations and magical rides into the future.
What do you associate freedom with? Antonio Melo has always connected his bicycle with an empowering sense of independence -- the ability to go anywhere and do anything at any time. In today's Presentation of the Day, "Freedom Cycles" from PKN Louisville Vol. 3, he discusses this liberty, and juxtaposes it with his experiences cycling about New York during the September 11, 2001 attacks on the World Trade Centers.
PechaKucha Night - Adelaide Vol #15 - "Sustainability: A Living Expression" #PKNADL15
It's that time again!PechaKucha Night - Adelaide Vol #15 - "Sustainability: A Living Expression" #PKNADL15 Venue: Signatures Cafe, Marion Multicultural Centre Address: 287 Diagonal Road, Oaklands Park SA 5046 Phone: (08) 8375 6855 Date: Wednesday, May 6th 2015 Time: 6:45pm - 9:00PM Cost: Gold Coin Donation Prizes, drinks and snacks available for purchase at Signatures Cafe. Organised by participants of the City of Marion's Community Leadership Program, PechaKucha Night - Adelaide Vol. #15 is on the topic of sustainability as a living expression. Matthew Wright-Simon Ecocreative (MC) SPEAKERS Keitha Haycock Seed Freedom Food Festival Phil Donaldson CRC for Low Carbon Living Sharon Ede Ecocity Design Fiona Cross Bodhi Tree Wines Samantha Lorton Abundant Health Josie McLean The Partnership Pty Ltd Please share with your friends to register for free tickets. More Information -> marion.sa.gov.au/Common-Thread and stay in touch at www.facebook.com/Pecha.Kucha.Adelaide, Share the event on Facebook and Twitter, get a group together and make hump-day on May 6th, just that bit more interesting! We hope you can make it! Cheers, PechaKucha Night - Adelaide
"I wasn't worrying about money anymore ... by keeping money out of the social relationships, I also engaged entirely different with the people around me. It was just a much more natural way of being and it released a lot of freedom which was translated into creative expression."In Handlettered Signboards from PechaKucha Night Leiden Vol 15, Lilian Leahy shares quitting her job to trade it for a backpack, sketchbook, pencils, paint and brushes. She travelled for more than a year through South East Asia and India. In more than 100 illustrations she documented her experiences. She also handlettered signboards for guesthouses resorts and restaurants in exchange for food and accomodation and that is how she was able to afford a long time of travelling. www.lilianleahy.com
Back to Origin
“I use free diving as a tool to share the beauty of connecting with the water, nature and myself.” In "Back to Origin" from PechaKucha Night Tokyo Vol.139, by representing the aquatic realm in a way that the world has never seen, Ai Futaki highlights the meaning and expression of the human–water connection. As the winner of Guiness World Record for the longest distance swam in cape with one breath, she uses freediving as a tool to be the bridge between the underwater world and the human world.
Poster for Vancouver Vol. 41
PechaKucha Night Vancouver proves less is more with this simple, yet graphically expressive poster for their upcoming Vol. 41 later this week. A special thanks to the artist behind the artwork, Carling Borne, for the restraint it took to make such an elegant expression of PechaKucha!
"I wasn't worrying about money anymore ... by keeping money out of the social relationships, I also engaged entirely different with the people around me. It was just a much more natural way of being and it released a lot of freedom which was translated into creative expression."In Hand-Lettered Signboards from PechaKucha Night Leiden Vol 15, Lilian Leahy shares quitting her job to trade it for a backpack, sketchbook, pencils, paint and brushes. She travelled for more than a year through South East Asia and India. In more than 100 illustrations she documented her experiences. She also hand-lettered signboards for guesthouses resorts and restaurants in exchange for food and accommodation and that is how she was able to afford a long time of traveling. www.lilianleahy.com
PKN Poster Spotlight: Troyes
Promoting free expression, this intruiging work produced for PechaKucha Night Troyes Vol.3 caught our eye and made it's way into this week's PK Poster Spotlight. Freedom of expression is very important in both our creative works and today's society so, we encourage everyone to share their inspiring stories and not to be fearful of exploring the unknown. The poster flawlessly illustrates the significance of conversation and the exchanging of ideas in our communities. For more great posters, please check out our tumblr and our Instagram!
PKN Poster Spotlight: Sapporo
PechaKucha Night Sapporo announces their PKN Vol. 3 with a beautifully refined promotional poster. The poster proudly showcases a traditional Japanese writing system called Tategaki, characters written in columns going from top to bottom, with columns ordered from right to left. The intentionality of this minimalistic poster is to find freedom by removing much of the external clutter that distract us. You definitely won't want to miss Sapporo's next event! For more posters, check out our Pechakucha Poster Tumblr and Instagram.