EL PASO Search Results: “Comics”
EL PASO PRESENTATIONS
Finding My Cultural Voice in Comics
BY RUDY VASQUEZ
@ VOL 16
ON JUN 29, 2017
By day Rudy Vasquez is the mild mannered Marketing and Communications Manager for El Paso’s Downtown Management District (DMD)…but by night Rudy pursues his amazing passion for comic animation artistry.
Rudy has worked for independent comic book publishers as a work-for-hire sequential artist for years, but has not published any creator owned work. Now, the artist is laying the foundation for a creator owned project that is an expression of his own voice. In this journey, he has discovered a culturally rich context that reflects life on the border more so, than life in a completely make believe world.
SITEWIDE Search Results: “Comics”
RaMoMA Museum of Modern Art
Nov 20, 2008
Ciudad Cultural Konex
Aug 26, 2008
The Third Line
Feb 03, 2010
Oct 03, 2012
Teatro do Bairro
Oct 28, 2012
Museu del Disseny de Barcelona
Nov 28, 2014
Cornish Playhouse at Seattle Center
Mar 11, 2015
Jun 08, 2017
Powered by PechaKucha
Nov 20, 2017
Nov 21, 2017
How I Get There: Nonsensical Comics about my Days in Japan
BY DAVID ROBERT
@ VOL 110
ON JAN 22, 2014
Illustrator David Robert came to Japan to buy some special pens for his illustration work, and ended up staying permanently. The story that got him there, on the other hand, is a lot more complex than that. David speaks on the unique influence of Japanese, French, and American comic-book culture that has made him who he is today.
Bits of Elsewhere
Rob Irion directs the Science Communication Program at UCSC. He's been a science journalist for more than 25 years, focusing on astronomy, cosmology, physics, and earth sciences. His most recent stories have appeared in National Geographic, Science, Smithsonian, and Scientific American. In his talk, listen as he describes how he came to have a passion and obession for space.
"Presentation of the Day" on April 9, 2014.
Il Tempo Di una Storia
BY SERGIO BADINO
@ VOL 10
ON OCT 31, 2014
Se ti piace scrivere (e quindi anche leggere), StudioStorie fa per te; se ami il cinema, la letteratura, i fumetti e, a prescindere dall’età, vuoi scoprire i segreti della scrittura, StudioStorie fa per te; se pensi di avere talento o, al contrario, non sei molto sicuro di averne, StudioStorie fa per te.
StudioStorie è una scuola, divertente ma rigorosa, che ti aiuterà a coniugare istinto e regole: perché scrivere non è solo improvvisazione, e neppure mero esercizio di stile. Scrivere è questione di cuore, di pancia e di testa. E siccome la tecnica si può apprendere e l’abilità perfezionare, è nata StudioStorie, la prima scuola che svela l’esistenza di alcuni princìpi comuni alla base dei diversi generi narrativi. Come in un gioco di prestigio, ma senza trucchi (tranne quelli del mestiere), l’esperienza e l’entusiasmo di Sergio Badino ti consentiranno di mettere in luce le tue attitudini e di acquisire la competenza necessaria per scrivere (bene) storie (belle).
BY SELMA DURAND
@ VOL 5
ON SEP 14, 2015
Selma Durand is an industrial designer focusing on simplifying complexity to create intuitive products and meaningful design experiences. As an industrial designer at IDEO in New York, she designs products, spaces, interactive experiences and is particularly attentive to users' everyday relationship with objects, focusing on the weight of our lives! Learn to measure with Selma!
BY CAITLIN CASS
@ VOL 16
ON APR 14, 2016
"I make art about ineffectual dreamers who try really hard to succeed at something but always fail miserably."
In Fabricating History from PechaKucha Buffalo Vol. 16, artist and founder of the Great Moments in Western Civilization Cooperative, Caitlin Cass, focuses on the need for diverse sources in creative research, especially when you invent them yourself. She reflects on the subjectivity of history and explains how she co-opts historical authority to create comics and counterfeit historical exhibits. Walking us through her artistic process from the stage of “tadpole” to “strawberry dart frog,” Cass presents highlights of her recent comic book an counterfeit historical exhibits, such as “Folktales of American History” and “The Museum of Failure.”
This was "PechaKucha of the Day" on Thursday, July 14th, 2016.
BY STACEY ROBINSON
@ VOL 16
ON APR 14, 2016
"The work becomes a conversation about class, race, gender and appropriation."
In Building Afrotopia from PechaKucha Buffalo Vol. 16, artist Stacey Robinson illustrates how speculating black futures became paramount in his artistic practice as a response to the global displacement of Black and Indigenous people. Robinson shares recent work, beginning with his current Pan-African flag series, representing nations where Black and Indigenous populations are controlled by extreme measures. Robinson then shares works from an in-progress book, 100 Afrofuturists Practitioners, depicting people building future spaces where Black peace exists using S.T.E.A.M (Science, Technology, Engineering, Art(s), and Math). Lastly, Robinson presents works inspired by the past Black Renaissance speculative Black Futures, with Afrofuturist digital collages inspired by Romare Bearden, James Denmark, Manzel Bowman, and other past and contemporary mixed media collage artists.
Mnemosyne & Sleep Temples of Ancient Greece
BY SARAH JANES
Writer and host of The Explorers Club - a small lecture salon in St. Leonards on Sea, Sarah Janes talks about her interests in dreaming, the occult and spiritual sciences. An intelligent and humorous look at Mnemosyne - the personification of memory in Greek mythology, and her influence.
Sjov på Kommando
BY DAN KNUDSEN
@ VOL 38
ON SEP 04, 2018
Dan Knudsen is a professional illlustrator and creator of comics and comic strips.
He talks to the audience about how you shouldn't - as a comics artist - seek funny situations, but instead create an interesting set of characters and let the funny situations develop FOR you.
This mindset is perhaps also applicable in the rest of the world. Judge for yourself and please enjoy!
SITEWIDE BLOG POSTS
The Art of Photographing Water, Indonesian Comics, and Post-Earthquake Christchurch
Presentations Chris Tennant is a physicist by day, but behind the lens he becomes the champion of photographing water. This presentation (from PKN Williamsburg Vol. 1) takes us on an exploration of the soul of water's essence. The images are amazing enough, but Chris' narrative opens us to a deeper understanding of why we are always drawn to images of water. Anto Motulz is an Indonesian comic book artist, and in this presentation (in Indonesian, from PKN Jakarta Vol. 9) he tells us about the medium he had decided to express himself in. As a comic artist, he does not limit himself by drawing with one tool, and instead he will move from ballpoint to pencil to color pencil to brush, even using sticky notes as a medium. He also shares stories how he himself as an artist is adapting to technology development, from using Wacom and the iPad in creating his works. Posters We have a few additions to the Tumblr blog today, including posters for PKN Castellon Vol. 1, PKN Pisa Vol. 2, and PKN Christchurch Vol. 14 (pictured above). Here's more from PKN Christchurch organizer Jessica Halliday, on the poster, the upcoming event, and the current state of post-earthquake Christchurch.The poster was designed by noted New Zealand artist Julia Morison. We're in raptures over it -- it's the first illustrative design we've had for a PKN poster, hey're usually by designers who are obsessed with typography, not that there's anything wrong with that but it's a great privilege to have Julia make something so distinctive for us that so beautifully expresses PechaKucha. This time we're going to hold PechaKucha Night in The Court Theatre's temporary shed -- a post-earthquake example of temporary adaptive reuse of an industrial building for cultural purposes. It's in the urban-fringe village of Addington, so we're stepping outside the central city for the first time. Much of our central city is still cordoned off -- as it has been since the 22 February earthquake -- and it is now estimated that at least 80% of our central city buildings will be demolished. In addition, over 7000 domestic properties have been 'red-zoned,' meaning they won't be rebuilt on their existing sites and thousands of people have to find new places to live. This is a devastating loss and life here is still very difficult for many of the city's citizens. We hope PKNCHCH14 will be something of a bright spark in the cold, winter darkness. We've got an excellent line up -- from the eight listed on the poster we've now risen to 11 superb speakers from the fields of architecture, science, visual art and design. We may even get a special surprise twelfth speaker...Video Today, instead of photos, we share a video that offers a taste of the recent PKN Bilbao Vol. 13. Calendar Tonight (July 3) you can catch PKN Cape Town Vol. 19 -- we're told there will be an 11-year-old presenter in the lineup -- and tomorrow you can look to the following two events: PKN Amsterdam Vol. 22 and PKN Utsunomiya Vol. 1.
Comics as Survival Mechanism
Kathy Macleod is a comics artist, and in her presentation (from PKN Bangkok Vol. 6) you find out how she goes about her creative process. You'll get to peer into her creative mind -- see what she feels and fears -- and maybe you'll find you can relate. To find out more about Kathy, and see more of her work, stop on by her blog.
Creating Worlds of Limitless Possibility
Aliens, ghosts, vampires, zombies, assassins, never a dull moment in the world of comics. Comic artist Durwin Talon has worked on several series and anthologies, including DC's "Batman," "Skinwalker," "Bonds," and "Beautiful Scars." In "Creating Worlds of Limitless Possibility" from PKN Richmond, BC Vol. 3, he discusses the creative process that goes into his art, and truly believes that with the power of a pencil, paper, and the ability to share your ideas, the world will be a much better place.
Peeking Through Tall Grasses
Susannah Lohr On her Pecha Kucha Poster Design: "So I came up with the idea for the poster when I was thinking about visual metaphors for what happens at Pecha Kucha. Since it's an event where you're in a crowd and you're watching speakers, you're listening to presentations, it feels a bit like you're peeking through tall grasses. You can "come through the grass" and learn more about this interesting person who's speaking, you can go up to them after and talk to them about their work. Or you can simply enjoy the experience in a passive way, just through observation. Both are valuable and important ways, in my opinion, to attend the event. I'm currently working on a mini-comic that I'll be debuting at the St. Louis Small Press Expo. It's about three super-heroines saving a town from destructive supernatural cat demons. It takes place in a world heavily influenced by historical Japanese films and comics. " Learn more about this uber talented artist and illustrator: http://susannahlohr.com/
Just how much do you know about American creator-owned comic books? Seattle-based Maki Yamane will be joining us at next week's PechaKucha Night Vol. 119 (on Wednesday, November 26) to talk about that, as well as Sparklight Comics, her new publishing company that is bringing some of these comic books to Japan, translated in Japanese.皆さんはアメリカン・クリエイター・オリジナル・コミックブックについてどこぐらいご存知？シアトルを拠点に活動されているMaki Yamaneが来週のペチャクチャナイトVol. 119(11月26月(水)) に参加。彼女の新しい出版会社Sparklight Comicsにて日本語に翻訳され日本にもたらしたいくつかのコミックについて話していただきます。
A HUGE MISTAKE - JOEL SPEASMAKER
Meet Joel Speasmaker. He will be speaking at A HUGE MISTAKE Joel Speasmaker is the proprietor of forest design, a Los Angles based Graphic Design Studio. Joel has served as the art director for Anthem magazine, comics editor for Swindle, co-creative director for Spacebomb Records and is currently the creative director of renowned Soccer magazine, Howler.
Paper is Still Alive!
"Comics, illustration, photography, text, poetry, calligraphy, all media are welcome in Labo." In Paper is Still Alive, from PechaKucha Night Tokyo, Vol. 126, French illustrator, and Labo publisher, Julie Blanchin presents her experimental, beautifully silk screen handcrafted, limited edition magazine that brings together French and Japanese artists from all walks. Interestingly, Labo Magazine spawned from both inspiration and need, after Blachin's plans to write a book on a expedition to Antarctica with the Japanese Institute of Polar Research suddenly and unexpectedly fell through. Her storyboards leading up to the book became part of her blog, and would eventually became part of Labo. "Paper is still alive" she says, calling for new participants and collaborators. Get in touch with her to participate!
Comite Academico #Pechakuchagt - Octubre 2015
Nuestro comite academico organizando nuestras proximas actividades...Gracias por su tiempo..
The Neglected Basics
“Maybe it was the school, maybe it was the programs, the teachers, the increasing descent into despair– which often happens in art school– but I did not feel i was being taken seriously. Every time I steared towards comics, I felt that I was being pulled over by the art police and fined for indecency.” In The Neglected Basics from PechaKucha Night Bergen’s 4th Volume, Visual Communication student Anette Aga addresses the lack of focus on art in academia. This is a great problem for those who would go through academia to become a designer or illustrator. Comics, in particular, being so important to so many cultures, are unduly ignored.
"I make art about ineffectual dreamers who try really hard to succeed at something but always fail miserably." In Fabricating History from PechaKucha Buffalo Vol. 16, artist and founder of the Great Moments in Western Civilization Cooperative, Caitlin Cass, focuses on the need for diverse sources in creative research, especially when you invent them yourself. She reflects on the subjectivity of history and explains how she co-opts historical authority to create comics and counterfeit historical exhibits. Walking us through her artistic process from the stage of “tadpole” to “strawberry dart frog,” Cass presents highlights of her recent comic book an counterfeit historical exhibits, such as “Folktales of American History” and “The Museum of Failure.”