Mike Lopez brings a unique blend of portraiture with stylized versions of the traditional native hairdress go give his portraits a unique borderland flavor.
VIEW SIMILAR PRESENTATIONS
Quest for Truth in a Digital Age
BY LISA WENGER
@ VOL 10
ON JUN 06, 2014
Lisa Wenger's work is a quest for truth in a digital age. As viewers, we are constantly bombarded with images of perfection, which are often so beautiful that they have become grotesque. She chooses to emphasize and praise imperfections in her portraits rather than allow media to persuade us that only perfection is beautiful.
Art As Record
BY CATHERINE A. MOORE
@ VOL 25
ON AUG 09, 2015
Catherine Moore is an illustrator and keeper of memories, it turns out. Listen as Moore talks about the various methods employed, even if accidentally, to retain a record, how that record is maintained, and what might happen with that record.
BY THIBAUD HÉREM
@ VOL 131
ON DEC 16, 2015
"Each building is all about the detail and my personal approach to it."
In Architectural Portraiture from PechaKucha Night Tokyo Vol. 131, Architectural illustrator Thibaud Hémen shares a highly sophisticated collection of his work, intricate illustrations of buildings with painstaking attention to detail. His incredible drawings allow the unique personality of each subject to shine forth and be fully appreciated.
This was "PechaKucha of the Day" on Friday, January 8th, 2015.
“My birthday in 2014, i started asking all my friends to draw me. I set three simple rules: 1) don’t look at others until you’re done with yours 2) draw me on the spot 3) you can not use erasers”
In 119 Portraits from PechaKucha Night Tokyo’s 133rd Volume, Speaker, freelance writer, and sake lover Miho Ota detailed a project from which she had learned a great deal. On her birthday in 2014, Miho had decided to start a portraiture project, asking her artist friends to draw her portrait in a small sketchbook. The rule was simple: draw her on the spot, no erasers, and no looking of others until you finish yours. By her following birthday, Miho had a collection of 119 amazing portraits with countless stories attached to them.
My Colors Throughout the Years
BY LETICIA DIAZ
@ VOL 13
ON JUN 23, 2016
With her presentation, Artist and Professor Letty Diaz takes us on a small trip through her 36 years of art with a discussion of past and present work. Letty's work is primary photographic using live models to create dynamic portraiture. Much of the work is personal - focusing on her own children and students as the subjects.
Fragility, Flowers and Contemporary Portraits
BY GREER TOWNSHEND
@ VOL 18
ON AUG 24, 2016
"What I love about the medium is its innate honesty. A drawing lets slip its own history."
In "Fragility, Flowers and Contemporary Portraits" from PechaKucha Night Sunshine Coast Vol. 18, Greer Townshend shares her passion for and practice of drawing. Her work is frequently underpinned by the concept of fragility, whether related to the process of memory, language or the self. Greer's practice combines portraiture and elements of nature, inferring an inherent connection between the two, and denoting life cycles. Greer will be talking about her take on ‘creating’ contemporary portraiture including her current fascination with all things 'flowering'.
Why Portraits Matter
BY DAVID PARISH
@ VOL 15
ON FEB 17, 2017
This was "Presentation of the Day" on June 29th, 2017.
The Portraiture Paradox
BY BEN FRISCH
@ VOL 2
ON APR 11, 2019
Ben Frisch has been an artist since the age of 2. He sold his first drawing to a classmate in grade 6 and he was hooked. Art as a career can be a challenging path to take especially as a portrait artist and that pursuit dominated his 20’s. Although Ben had many ups and downs, that dream never came to fruition. His passion for portraiture was put on a shelf and now at 36, he has not made art for a long time. It’s sad to think that dream may have died but in hindsight, Ben now sees the paradox that plagued him. This is the story of Ben's career as a portrait artist and why he was doomed to fail.