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Kelly Fraser

Musician in Winnipeg

The Beat of Her Own Drum

PRESENTED ON JUN 06, 2019
IN WINNIPEG @ VOL 38

Kelly Fraser is a Juno-nominated and Inspyre Award-winning Inuk musician who has kept true to her roots and thrived while doing so. In her 20x20 talk, Kelly shares her personal story of trials and triumphs, starting from where she was born in Nunavut to winning awards and making her way in front of the UN. Here, she truly exemplifies, both literally and figuratively, what it means to march to the beat of your own drum.

Kelly's talk was recorded live at PechaKucha Night Winnipeg Vol. 38, on June 6 2019, at the Park Theatre. 

For more information on PKN Winnipeg, follow us on Twitter (@pkn_winnipeg), Instagram (@pkn_winnipeg), or Facebook (www.facebook.com/pechakuchanightwinnipeg). PKN Winnipeg is presented by the Manitoba Chapter of the Graphic Designers of Canada.

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Keep the Beat! Amanojaku - Japan's Avant Garde Taiko Ensemble

BY GREGORIO RABUÑAL
@ VOL 125 ON MAY 28, 2015

"When I see Amanojaku, what I see is a truly and perfectly Japanese interpretation of world music."

When Gregorio Rabuñal witnessed a travelling Japanese Taiko Drumming performance as a young boy living in Bueno Aries, Argentina, little did he know that the drumming seed had been planted in his mind. It was only later in life as a young man when the seed took root, eventually bringing him to Japan to study under one the Taiko world's greatest pioneers, the very one he had seen as a small boy.  

Enjoy Gregorio's journey into Taiko! 

This was Presentation of the Day on June 19th, 2015.

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Indigenous People and Cultural Art

BY NICOLAS GALANIN
@ UNITED STATES ARTISTS 2014 ARTISTS ASSEMBLY ON MAR 24, 2015

Nicolas Galanin was brought in a traditional creative environment. He studied Jewellery design and Silversmithing, and dedicated his life to the continium of cultural art and to regain the displacement of his culture. He is also a musician and is interested in creating progress for the next generation.

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Indigenous Art Fair, Cairns Queensland

BY SANDY MCCATHIE
@ VOL 12 ON JUL 20, 2016

Sandy McCathie shares the platform for Queensland indigenous artists to tell their stories through visual art, performance, theatre, fashion, screen, workshops and more.

 

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Bario Agrobiodiversity Hub

BY JULIAN LIAN
@ VOL 4 ON APR 15, 2017

Julian Lian shares how conservation through the indigenous living culture is a greater and better methology to prevent climate change. This living culture has already been a part of the Bario Highland ecosystem, and it is crucial to raise the public awareness to preserve it before it is lost.

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The River

BY JACQUELYN CARDINAL
@ VOL 28 ON JUN 01, 2017

“Like many Indigenous youth these days, I grew up in the city. And I wonder every day, how can I better be an Indigenous person when everything has been paved over?”

Jacquelyn Cardinal, tech entrepreneur and nêhiyaw-iskwêw from northern Alberta, explores the journey that Indigenous and non-Indigenous Canadians must take together to fully realize the promise of Canada through understanding and putting into practice the Peace and Friendship Treaties.

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Inviting the Indigenous Sports World to Edmonton

BY JODI STONEHOUSE
@ VOL 28 ON JUN 01, 2017

"We have to get back to that circle where we're sitting together because that was the intention—that we're all Treaty people. We have a responsibility and an obligation to the lands, the waters, to each other and to our children."

In "Inviting the Indigenous Sports World to Edmonton" from PechaKucha Night Edmonton Vol. 28, Jodi Stonehouse sheds light on the beauty of the World Indigenous Nations Games soon to visit Edmonton—what they mean for the city, for Indigenous peoples, and for every one of us looking to grow and reconcile together.

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DIY Reconciliation

BY ALEX KRUIZE
@ VOL 8 ON JUN 08, 2017

Lawyer Alex Kruize speaks about indigenous rights on opposite sides of the world , New Zeland and Canada, and shares his observations on the similiarities and differences as well as offers advice as to what we can all do to help facilitate reconciliation.

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The Propagation of a Maya Narrative: From Ancestral Seed to New Life

BY FRIDA LARIOS
@ VOL 34 ON MAR 05, 2018

Frida Larios shares her journey to find her Mayan culture through her work as a designer. As a part of her accomplishments she has created a new mayan language through hieroglyphics.  Frida shows us how this tells stories.

Frida is from El Salvador (of Maya-pipil and Spanish heritage), a small and impoverished country in Central America with deep ethnic and social identity crisis. In 2004, these overwhelming historical tensions inspired her to found a cultural movement called New Maya Language, and while creating it, to find her own indigeneity. Larios’s unique system re-codifies a small part of the Maya mythic narrative through new graphic form. Her methodology speaks with and for today’s indigenous communities by borrowing directly from the logo-graphic principles of ancestral Maya scribes. For nearly 15 years she has dialogued diverse Mesoamerican narratives for children, youth and designers through exhibitions, workshops, installations, books, artworks, and textiles; around the world.

 

Larios is the Indigenous Advisory Chair for the International Indigenous Design Network (INDIGO) at the International Council of Design (Canada) and Deakin University (Australia). She co-founded  Indigenous Design Collective (Washington, D.C.), an organization that partners with the Smithsonian Latino Center for Day of the Dead celebrations in the U.S. Larios is currently an Adjunct Professor in Art and Design at the University of the District of Columbia in Washington, D.C., where she lives. She holds a MA in Communication Design from Central Saint Martins College of Art & Design, University of the Arts London.

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How I Grew to Love and Make Indigenous Graphic Novels (and How I Became a Superhero)

BY NIIGAAN SINCLAIR
@ VOL 39 ON SEP 05, 2019

Niigaan Sinclair is an Anishinaabe professor, writer, and activist who loves graphic novels. However, growing up, he noticed a lack of heroes that looked like him, and any mention of Indigenous people in comics are more often than not base caricatures or stereotypes. In this enligtening PechaKucha 20x20 talk, Niigaan tells us how Indigenous culture and graphic novels are connected, what he did to help counter the negative representation of Indigenous people in graphic novels, and how he himself became a hero.

Niigaan's talk was recorded live at PechaKucha Night Winnipeg Vol. 39, on September 5, 2019, at the Park Theatre. 

For more information on PKN Winnipeg, follow us on Twitter (@pkn_winnipeg), Instagram (@pkn_winnipeg), or Facebook (www.facebook.com/pechakuchanightwinnipeg). PKN Winnipeg is presented by the Manitoba Chapter of the Graphic Designers of Canada.