Photographer Giora Dan dissects the structure and form of good photography, through a series of spectaular images he has taken himself.
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VIEW SIMILAR PRESENTATIONS
BY DEVASHISH PRADHAN
@ VOL 7
ON JAN 23, 2013
Architect Devashish Pradhan shows some photos from a project he has been working on recently, a series focused on the concept of a frame. He uses natural formations and architecture from the settings to frame the subject, sometimes creating multiple layers of frames, in order to draw attention to details and look at the natural flow of the environment in which he takes the photograph
Beirut Central District: from flânerie to photography
BY ARIN HOVSEPIAN
@ VOL 23
ON APR 10, 2017
Arin Hovsepian talks on how the post-war reconstruction of the Beirut Central District affected the experience of the city.
Imagine Architecture Through the Use of Design, Light & Photography
BY BRIAN ANSEL
@ VOL 26
ON APR 12, 2018
Brian Ansel explores a creative and innovative way of persuading architecture into the viewer’s imagination through the use of design, light, and photography. Suggesting that through the use of design, light, and photography, anyone can take an everyday ordinary object and turn it into a piece of architecture.
Photography as image and process
BY ADAM WISEMAN
@ VOL 19
ON MAR 27, 2019
At the 17th instalment of PechaKucha London, Adam told us all a standout story showcasing his amazing images of an untrained architect's (i.e. a normal person) unique approach to architecture.
Adam uses his photography to convey how an image is something between document and process. And what a fine job of it he does!
BY MICHAEL ELKAN
@ VOL 48
ON MAR 21, 2019
Photography and architecture are very closely related. It is through photographic images that architecture is widely seen, known and understood. Architects think in space-time dimensions but usually employ 2D media to develop their ideas. Architecture is truly experienced only in real space, time and scale. The photographer’s task is to reverse engineer that reality through acute observation and to construct a relatively small 2D image that begins to evoke the experience of being there.