Tibetan art or 'Thangka Painting' is more commonly used in its traditional form as a meditation support for practitioners, but what happens when you introduce an artistic culture that has been alive for centuries into a contemporary western paradigm. Here the artist Damien Pascoe will talk about the preservation of culture through his work, and why it is important to continue.
VIEW SIMILAR PRESENTATIONS
BY ELIZABETH JOSE
@ VOL 9
ON APR 04, 2013
"What if painting was easy, right?"
In Free Painting from PechaKucha Night Taos Vol.9, Elizabeth Jose presents a series of her paintings while sharing how she creates these beautiful works of art. Elizabeth talks about her mindset while painting, preparation, and what motivates her to paint.
This was "Presentation of the Day" on July 28th, 2017.
Painting with Wax
BY KENDRA DENNY
@ VOL 18
ON SEP 13, 2013
Kendra Denny reflects on her experiences with encaustic painting, an ancient painting technique done with wax. Originally used as a method to seal ships, encaustic painting now serves as a fusion of contemporary fine art and traditional craft.
Earth Charter: My Journey of Connecting Ecology and Visual Art
BY LES LUXEMBURGER
@ VOL 7
ON JUN 05, 2015
Les Luxemburger is a visual artist, art educator and creative director. He discusses his projects where he uses visual and eco-art to educate people about environmental issues like habitat loss and climate change.
BY BEAUVAIS LYONS
@ VOL 17
ON NOV 12, 2015
Beauvais Lyons offers an artistic, social, economic and political examination of “Des Nudas,” the bare–breasted, body-painted women who busk in Times Square. Themes include differentiation of naked and nude, the top-free movement and gender equality, historical and contemporary applications of body painting, freedom of speech and commerce, patriotism as a visual motif and art in public spaces.
Painting Party Animals
Internationally recognized Miami-based artist Dana Donaty talks about her unique process in creating an intoxicating mix of monstrous party animals and humans on canvas. Her unmistakeable satirical lexicon is a perfect collision of the grotesque, outlandish burlesque, psychological flirtation and a super charged palette that is like a party about to get thoroughly out of control.
Dynamic Styles: Change and Continuity in Pacific Visual Culture
BY MARATA TAMAIRA
@ VOL 28
ON NOV 11, 2016
"The visual cultures styles... are responsive to change yet they retain the thread of continuity of the past."
In Dynamic Styles: Change and Continuity in Pacific Visual Culture at PechaKucha Night Honolulu Vol.28, Dr. Mārata Ketekiri Tamaira introduces a selection of Pacific visual culture styles from across the region, emphasizing the way they express the dynamic relationship between change and continuity over time and space. To narrow her focus, she considers three key sites of aesthetic production, including architecture, textiles, and sculpture.
Dr. Mārata Ketekiri Tamaira hails from Aotearoa New Zealand and has genealogical ties with the central North Island tribe of Ngāti Tūwharetoa. She is a Honolulu-based Māori scholar and university instructor whose research focuses on contemporary Hawaiian and Pacific art.
This was "PechaKucha of the Day" on Wednesday, February 1st, 2017.