Felicity Truscott explores the idea that a line can be both a physical object and a train of thought, and descibes the making of ephemeral artworks.
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From Welding to Wood to Bronze
BY RODNEY HILL
@ VOL 1
ON NOV 25, 2014
Rodney Hill, Architect and professor, discusses the results of many years of sculpting. From unintended opportunities that opened while covering design gaps in the architecture offices he worked for, he discovered a path that led from welding to wood to bronze as an avocation. He shared his large scale, very intricate wood carvings, some with erotic affordances requested by clients.
This Visual Utopia: Limitless Art in the Twin Cities
BY TAMI MILLER
@ VOL 1
ON MAY 14, 2015
Tami Miller, curator at the Krasl Art Center, explores the potential visual utopia that is possible in the small lakeside town of St. Joseph, Michigan. What is possible if the world's great urban art makers enlivened our public spaces and architecture?
Site-Based Performance: Development of a Process
BY DAN SHANAHAN
@ VOL 17
ON SEP 15, 2016
“We devised a few rules: Start with the architecture. Consider its history. Draw from its mythology.”
In "Site-Based Performance: Development of a Process" from PechaKucha Buffalo Vol. 17, Artistic Director and Co-Founder of Torn Space Theatre in Buffalo, NY, Dan Shanahan, reveals Torn Space's process of developing site-based performance. Drawing from over 10 years of experience and eight original pieces for non-traditional performance venues, Shanahan addresses the influences, aesthetics, and rules for Torn Space's site-based performances.
Self-reflection in self-reflection
BY IRIS BAKKER
@ VOL 35
ON NOV 21, 2017
Aarhus-based designer and artist Iris Bakker talks about her own identity crisis, and how she found self-reflection in giving self-reflection to others.
And maybe we should not ask "What do you want to be (when you grow up)?" but rather: "Who are you? Who do you want to be in this world?"