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PechaKucha Presentation
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Hiroyuki AMANO

豊田市役所 in Toyota,Aichi

Re-born ex-Red-light district SUZUYA

CREATED ON SEPTEMBER 03, 2017
IN NAGOYA
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Williamsburg Arts District

BY MICHELLE DEWITT
@ VOL 10 ON SEP 20, 2014

The City of Williamsburg is quickly emerging as an arts destination, along with its two major draws of history and education (not to mention a nearby theme park). The economic development director for the city, Michele DeWitt, gives us all the W's of Williamsburg's newly created Arts District (except perhaps for who is NinjArt?).

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Musings on the Colour Red

BY TOM HEATLEY
@ VOL 1 ON OCT 01, 2015

"Blood is maybe redder than red, because of it's associations in art and in culture."

Tom Heatley
's presentation from PechaKucha Night Bexhill-on-Sea Vol. 1 opens with the most essential image of the colour red in photography: the safe light in a darkroom, and moves through a collection of images and wide ranging associations with blood, danger, sex, sacrifice, socialism and courage.

This was "PechaKucha of the Day" on Tuesday, Novermber 24th, 2015. 

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EX POST - A posteriori

BY MARCO ZUTTIONI
@ VOL 9 ON NOV 18, 2015

An ex-post report by Modourbano--a young, Milan-based architectural office--about its first 5-year activity.

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Why The Lagoon District?

BY JACOB TELL
@ VOL 18 ON AUG 17, 2016

Jacob Tell, CEO and co-founder of a Santa Barbara creative agency, Oniracom, speaks about the inspiration behind the Lagoon District. This up and coming area of Santa Barbara is home to commercial, industrial and residential locals. The history of area influenced the branding, as street names such as Laguna, Quarantina, and Salsipuedes pay homage to the past lagoon-style flooding of the neighborhood.

As an agency CEO, Jacob has studied and worked within the cultural transition from analog to digital, so his insight translates across demographics. Jacob’s expertise in marketing and production helps organizations of any size — from solopreneurs to global brands — build authentic communities and communicate effectively to their audience.

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Reflections on Water

BY KEN ANKLI
@ VOL 6 ON SEP 16, 2016

Ken Ankli is the Chief, Cook, and Sidewalk Sweeper (aka President) for Brammall Supply Co. He is an Observer, Investor & Cheerleader for the Benton Harbor Arts District, and the President of the New Territory Arts Association for the past 6 years. As a developer and manager of the urban-industrial Quarter Note Lofts, his work is one example of his favorite quote - "It's never too late to re-imagine an alternate outcome!"

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It Is a Beautiful Day in District 58

BY PARK CANNON
IN ATLANTA

Questioning a government takes a community and that is exactly what Park Cannon is about. As a Georgia State Representative for District 58 she is intimately aware of what it takes to gather a community and be involved in that community. Join us in listening to a day in District 58 and meet some of the people that make up this district in the heart of Atlanta! 

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Reimagine the Arts District for Edmonton's Winter Nights

BY SHAFRAAZ KABA
@ VOL 27 ON FEB 16, 2017

"We're hoping to inspire people in our city to think about how to activate our streets and how to bring people out."

Architect Shafraaz Kaba shares his idea for bringing light and life to a public space that goes into hibernation through the winter. Using fire, light, art, and maybe a temporary tavern or two, he presents a compelling set of small interventions to breathe some winter warmth into the public realm.

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Beirut Central District: from flânerie to photography

BY ARIN HOVSEPIAN
@ VOL 23 ON APR 10, 2017

Arin Hovsepian talks on how the post-war reconstruction of the Beirut Central District affected the experience of the city.

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Buffalo Entertainment District Project, 1977-78

BY FRANK PALEN, ESQ., AICP
@ VOL 18 ON SEP 24, 2016

“Think of me as a time traveler. I’m going to take you back to a place called Buffalo in the 1970s.”

In Buffalo Entertainment District Project, 1977-78 from PechaKucha Buffalo Vol. 18, attorney and urban renewal advocate, Frank Palen, recalls the creation of a historic district for theatre and culture from a once abandoned rust belt urban core. From 1977 to 1979, Palen was Research Associate in the Center for Community Research and Development at the University at Buffalo’s School of Architecture and Environmental Design, serving as Coordinator of the Buffalo Entertainment District Project. The University at Buffalo’s graduate studio investigated the potential of promoting a theater district in what was then an increasingly abandoned section of Downtown, despite various setbacks and a challenging political climate. The result was a very high-profile effort that set an agenda for the redevelopment of Buffalo that continues today.