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Ron Yearwood

Assistant Director, Nashville Civic Design Center in Nashville

Preview of National Museum of African American Music

PRESENTED ON OCT 18, 2017
IN NASHVILLE @ VOL 26

Beecher Hicks, III - A look at the future of the National Museum of African American Music in downtown Nashville

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A VERY Brief History of American Belly Dance

BY JO ROSS
@ VOL 22 ON MAY 18, 2014

Jo Ross takes us through a brief history of the origins of American Belly dance as we know it today. Little did we know the origins are many and varied!  

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How History can be Used

BY BLAINE HUDSON
@ VOL 7 ON FEB 21, 2012

Blaine Hudson lectures about the history and culture of African American in Louisville. The more we know about Black history, the better we can improve it for the future.

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Introducing The Kentucky African American Encyclopedia

BY NANCY RICHEY
@ VOL 6 ON OCT 20, 2015

The story of African Americans in Kentucky is as diverse and vibrant as the state's general history. Nancy Richey highlights notable local African Americans who were "firsts" in their locales or fought for civil rights.

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Building Black Utopias: Modeling the Architectural Principles of African American Literature, 1960-1975

BY CHARLES L. DAVIS, II, PH.D.
@ VOL 17 ON SEP 15, 2016

"We started with several books that looked at the brownstone as a site of intervention."

In Building Black Utopias: Modeling the Architectural Principles of African American Literature, 1960-1975 from PechaKucha Buffalo vol. 17, Charles L. Davis, II, Ph.D., Assistant Professor of Architecture at the University of North Carolina at Charlotte, shows works from his recent exhibition project, Building Black Utopias, and discusses the literature that served as inspiration. 

The Building Black Utopias project combines the tools of the architect, the historian and the literary critic to recover the historical contributions of African American writers to architectural utopian thought. It specifically examines the role of literary depictions of place in June Jordan, Amiri Baraka, Paule Marshall and Angela Davis’ writings. Davis argues that each authors’ rhetorical manipulations of the built environment operates on the same level as architectural utopian thought insofar as both mediums created rich, alternative depictions of modernist space to liberate the architect’s imagination. The final exhibit translates the spatial ideas of literature into drawings, models and other ephemera.

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Mane Street

BY RAYVEN HOLMES
@ VOL 19 ON MAY 25, 2018

This is an artistic stroll through black kink. Rayven Holmes shares an enlightening presentation about the styles and the underlying culture of contemporary Black hair styles.

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Celebrating Heritage with the African American Heritage Society

BY ANGIE WEST-ROBINSON
@ VOL 11 ON JAN 06, 2018

Angie West-Robinson shares about her journey of celebrating heritage with the African American Heritage Society.

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Being Number One

BY INA ANDERSON
@ VOL 3 ON NOV 11, 2018

Ina Anderson describes her journey of firsts including the first African-American female firefighter in Bridgeport, CT, and the first female officer.

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Build Your Own Science

BY MARVIN TATE
@ VOL 48 ON DEC 12, 2018

Marvin Tate is a performance poet, lyricist, published author, collected visual artist and educator. His work references African American history, speaks of personal and family history, and touches upon broader themes of cultural and political segregation, while addressing his own identity.

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Future of Green Museums

BY LESLIE TOM
@ VOL 38 ON JUL 31, 2019

Leslie Tom, Alumni Presenter and CSO of the Charles H. Wright Museum of African American History, steps on stage again to relay the future of Green Museums. She explains the importance her museum will be placing on educating the public on how they’re being energy responsible, being trusted community leaders as well as trusted information sources for the community.

From stormwater management to consumption, the future of the Wright Museum is rooted in transparency and bringing these issues to life; pushing the boundaries of what it means to be a museum.