Entrepreneur, Start-Up Consultant & Fitness Enthusiast, Cahill Puil enjoys optimizing performance in sales, marketing and bio-hacking. What if one tool could hack your work performance for peak-state every day - and sub-consciously influence others to do the same?
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BY PAOLA VILLAREAL
@ VOL 37
ON SEP 25, 2014
Paola Villarreal is an inveterate self taught person, she has specialized on the design and development of internet systems for 13 years. She is the creator of ECOBICI app for Android and iOS and she will explore the possibilities of hacking everyday life for the benefit of citizens.
BY MARTIN LUTZ
@ VOL 13
ON NOV 07, 2014
Martin Lutz makes things with sounds and sound out of things. makes this to music. sometimes. declares the ambience to music. makes music to a part of the ambience. this is the music. and this music is the sound.
Martin Lutz studied musicology at LMU Munich and SoundStudies at UdK Berlin. He works as a composer, musician and sound artist for dance, performances, theatre, installations and film. The focus of his work is the examination with sound and its relevance for and texture in the space. Field recordings and experimental sound production are the basis for compositions, that take sounds and soundscapes out of their natural context to give them a new content-related and spatial sense.
Martin Lutz has been invited to work out and realise the sound concept and a music score for the new dance production "Bhinna Vinyasa – Multiple Assemblages" commissioned by the Kochi-Muziris Biennale from the Attakkalari Centre for Movement Arts, for the 2014 edition.
Two years ago he worked with Attakkalari on the performance "AadhaaraChakra - A Dancelogue“, which performed in India and Europe. The idea was to research contemporary Indian urban sound environments, to make field recordings of them and to create with this audio-material (in collaboration with the Austrian sound artist Sam Auinger) sound compositions that could be termed as somewhere between music and soundscapes. For this project they also worked together with Indian musicians to mix parts of the soundscapes with elements of Indian classical and folk music.
The requirements for the new performance will be similar. Basis for the artistic process will be the examination of site-specific Indian urban developments, social and cultural transformations of individuals and societies. The task will be to find a sonic language that characterises typical urban Indian milieus and their inner dynamics. He will work with Indian percussion musicians from Bangalore and also with video and light artists from Europe to find a performative path between (sound)installation, performance and music for contemporary Indian dance.
BY LOUISE WOODWARD
@ VOL 29
ON APR 22, 2019
Louise Woodward completed her Bachelor of Music at Monash University, Melbourne Australia majoring with distinction in Performance (Violin). During her final year of studying Louise was encouraged to also pursue studying the viola & thus a strong affection & curiosity developed & remains. After touring Europe as an orchestral violist, Louise commenced her honors degree in composition. Louise has worked locally & internationally with some of the leading lights of the musical world such as Nitin Sawhney (UK), Adalita (Aus) & Zola Jesus. She composed string quartet arrangements for Zola Jesus' debut Melbourne Music Week performance & has since toured globally with Zola Jesus. From Melbourne Australia, Louise lives in beautiful Portland Oregon.
BY PARTH CHAUHAN
@ VOL 40
ON MAY 10, 2019
Based on his personal experience, Parth Chauhan highlights the importance of creativity in both professional and personal life, and how it connects to every industry in the world.
He also shares some tips, techniques and life hacks that can help everyone to improve their creativity.
MOVE|MEANT: Creating an Inclusive Performance Environment
BY JAMES REDELINGHUYS
@ VOL 18
ON MAY 18, 2019
MOVE|MEANT is a platform for multimedia installations and performances, but also something more. James Redelinghuys explains, what began as an opportunity to showcase new pieces also became a statement on new music performance; creating an environment where everyone, academics, musicians, and non-musicians, can be included in the wonderful world of today’s music.