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PechaKucha Presentation
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Presenter bw buzz ff 2017

Buzz Kemper

Co-owner/Engineer/Producer/Voice Talent, Audio for the Arts, LLC in Madison

In Buzz Kemper's work with symphony orchestras, chamber ensembles, choral groups, jazz ensembles, rock bands and solo artists in the Madison area for over 30 years, he has seen the rise of the music scene as well as the rise of the level of support for musicians (recording facilities, live sound companies and sound/light designers), as well as audience interest in the arts.

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New Music Scene in Vietnam

BY TRI MINH
@ VOL 3 ON FEB 23, 2012

Tri is a huge music fan, and in this presentation he walks us through the evolution of popular music in Vietnam. He also shares how he has been trying to introduce independent and underground music to his countrymen. (in English)

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Rock & Reel

BY MIKE RYAN
@ VOL 47 ON FEB 27, 2013

Mike Ryan talks about Rock & Reel, a local arts project that works with musicians and filmmakers to create collaborative works. The project groups musicians and filmmakers randomly into pairs, and gives them 3 days to create a narrative work together.

Sound Note: Crowd noise is heavy for the first 10 seconds or so.

 

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Harmony through Sound Design

BY IMAN FATTAH
@ VOL 19 ON SEP 23, 2014

Iman Fattah has been in the Indonesia's rock and experimental music world since approximately 15 years ago, as a guitarist in his own band; Zeke and the Popo and RAKSASA. Growing up, he never though music will be one of his greatest passion. In PechaKucha, Iman take us as he strips down music into one single element: sound. As an aspiring sound designer, he learned how to synchronize sound with visuals through film scoring project. 'Music' is not necessarily comes in 'band' form, instead, simple toe-tapping in dance rhythm is also music. The challenge in 'designing' sound is how far can we shape them, not only by hearing but also listening. Listen means paying more attention, so eventually we can create our own harmony.

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Noise

BY MARTIN LUTZ
@ VOL 13 ON NOV 07, 2014

Martin Lutz makes things with sounds and sound out of things. makes this to music. sometimes. declares the ambience to music. makes music to a part of the ambience. this is the music. and this music is the sound.

Martin Lutz studied musicology at LMU Munich and SoundStudies at UdK Berlin. He works as a composer, musician and sound artist for dance, performances, theatre, installations and film. The focus of his work is the examination with sound and its relevance for and texture in the space. Field recordings and experimental sound production are the basis for compositions, that take sounds and soundscapes out of their natural context to give them a new content-related and spatial sense.

Martin Lutz has been invited to work out and realise the sound concept and a music score for the new dance production "Bhinna Vinyasa – Multiple Assemblages" commissioned by the Kochi-Muziris Biennale from the Attakkalari Centre for Movement Arts, for the 2014 edition.

Two years ago he worked with Attakkalari on the performance "AadhaaraChakra - A Dancelogue“, which performed in India and Europe. The idea was to research contemporary Indian urban sound environments, to make field recordings of them and to create with this audio-material (in collaboration with the Austrian sound artist Sam Auinger) sound compositions that could be termed as somewhere between music and soundscapes. For this project they also worked together with Indian musicians to mix parts of the soundscapes with elements of Indian classical and folk music.

The requirements for the new performance will be similar. Basis for the artistic process will be the examination of site-specific Indian urban developments, social and cultural transformations of individuals and societies. The task will be to find a sonic language that characterises typical urban Indian milieus and their inner dynamics. He will work with Indian percussion musicians from Bangalore and also with video and light artists from Europe to find a performative path between (sound)installation, performance and music for contemporary Indian dance.

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Emily! Don't Do That!

BY EMILY PEASGOOD
@ VOL 11 ON SEP 06, 2018

"I use sound to express things that cause me frustration and joy. I find it cathartic and I find it so much fun. It makes frustrating things tolerable and fun things magical. For me, sound captures experience, truth, and memory in a way that no other sense can."

Despite the seemingly obstructive title, Emily Peasgood shows she is a risk-taking creative who throws caution to the wind (sometimes literally), experimenting with sound and social encounters, her work is original, thought-provoking and uplifting.

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Adventures with the Cairns State High Symphony Orchestra

BY ELLY LITTLE
@ VOL 25 ON OCT 24, 2018

Eloise Little is a Year 10 student at Cairns State High School in north Queensland, Australia. Here shares her experiences with the Cairns State High Schools Symphony Orchestra where she is a 1st violinist and harpist.

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TRUST YOUR GUT: How Supporting the Arts Taught Me that My Career Path Wasn’t So Black and White

BY LAURA CONNING
@ VOL 1 ON DEC 06, 2018

Laura Conning wears many hats in the Collingwood area.  She owns and operates Route26.ca, a website dedicated to showcasing the local music of the Georgian Bay Area through calendar listings, blog posts, and featured articles.  A musician herself, Laura has been singing and songwriting for over 10 years, and currently performs in a duo called Honeymoon Phase.  She holds a Master of Arts in Popular Music & Culture, a unique cultural and media studies program at The University of Western Ontario.  Laura has recently become the Business Manager for Content Refined, a content marketing company based out of Collingwood.

TRUST YOUR GUT: How Supporting the Arts Taught Me that My Career Path Wasn’t So Black and White

This presentation is about my local music project, Route26.ca, which is an online music hub that shows off the musical happenings in the Georgian Bay area.  I want this presentation to show how Route 26 has helped me grow as a creative and musical individual while helping me plant roots in a new community.

localmusic, georgianbay, supportthearts, canadianmusicscene

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Mixing Music

BY MARK WINGFIELD
@ VOL 12 ON APR 25, 2019

"Our brains use the echo in a room to determine the objects in the space". 

Musician and mixer Mark Wingfield talks us through the different ways to mix music and one in particular that he has used for many years that tackles the issues when mixing music recorded in small spaces.

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Dulce Mal Band

BY HELEN VARGAS
@ VOL 19 ON JUN 28, 2018

Helen will be talking about this project and how it became one of the most known local bands in the border of El Paso and CD Juarez.