Electroplume is a unique project since it is about accompanying birdsong with drums. The rhythm, melody and way of life of each bird are reflected in the compositions and maximumfreedom is led to the bird songs, because they are the virtuosos. An original aesthetic and accessible to everyone.

Sara Bran. "As a Gold Lace Maker I design and create high-end jewelry pieces or bespoke unique luxury objects. A very rare skill, of excellence, mastered hand precision and raffinate poetry."

Ingrid Biraud, graphiste, Hélène Duclos, artiste, et Claude Francheteau, artiste peintre.

Trois amoureux du Musée de l’Imprimerie de Nantes parmi tant d’artistes accueillis dans ses ateliers, racontent la belle ambiance de ce lieu d’exception et comment ils sont conseillés, initiés, accompagnés dans leurs projets d’impression d’art.

Marion Barraud. "Mon processus créatif à travers quelques astuces autour du jeu et de l’aléatoire."

Corentin Gilbert. "Mystérieuse, inanimée, elle est là, dans l’atente de l’amorce. Soudain, le récit se lance, la musique apparait progressivement et la structure prend vie. Réagissant aux compositons interprétées en direct, la
machine accompagne bientôt les univers travsersés avec des visuels en profondeur qui englobent et qui se confrontent au spectateur, devenant lui-même acteur de ce voyage collectf sur place. Le récit parcours en fligrane la performance, évoquant l’infni de l’univers , l’exploraton , la recherche et le dépassement de nousmême dans la conquête de l’inconnu."

Yves Drillet." I am a portrait photographer and this Pecha Kucha has for ambition to convince you that this style is an art by himself. It’s working on our feelings and telling us a story. By mixing my pictures and the ones that touched me from other photographers I tried to put together a list of qualities to appreciate portraits. And eventually the purpose could be to put back utopia into the act of looking."

Caroline Molusson. "Throughout my artistic research, I try to make physical sensations and perceptions of space visible and sentient, to make the spectator wobble in his perception of reality. I put the spectator in a situation where he can feel physical sensations and have different perceptions of the body and of space. I perceive reality as a fragile gift, changing depending of how we look at it. It is this perception of reality that I want to set free through playing, experimenting. The result of these games and experimentations are what I want to show through my work."

ENSAN. Morphogénèse 2, 9 of march, 2017, 6.30 pm – The varnishing of the exhibition begin in the Maison de l’Architecture des Pays de la Loire. About forty students in architecture show their works of morphology, the study of forms. Since the first-year classes to the exhibition, we have come a long way, punctuated by model of study, by the learning of digitals, building and modeling tools. It’s this new adventure that tree students in second year of architecture will present to you.

Anouk Autier shapes vegetable atmospheres, floral scenography and explores potential of flora.

Vegetals becomes a raw material, at the service of a history, a message, an emotion. Living materials, which comes at most from the local biotope, also gives its artistic approach a sustainability dimension.

"Andersen typeface is intended for tales and children stories in general. What makes Andersen different is its new punctuation marks. Indeed, in addition of classical glyphs, Andersen have 12 totally new punctuation signs expressing feelings. As in Spanish punctuation, theses glyphs are placed at the beginning and at the end of a sentence to help the reader to find the right tone."

Olivier Garraud. "Pour Pecha Kutcha, j’ai décidé d’écrire un texte, qui par de moi, et qui parle des autres. Un texte qui trace une ligne entre mes dessins. Un texte sous la forme de voies off, sans doute inconsciente mais pas déraisonnable."