April Alford has been a Dayton resident for a little over 18 years. April is the founder of Welcome Home Dayton, and Vice-President of the African American Visual Artists Guild’s Board of Trustees. April is an avid volunteer, and lover of all things crafty. The African American Visual Artists Guild has been in existence for 25 years, but is not well known in the Dayton area.
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Identity and Heritage
BY AIDA MULATO
@ VOL 36
ON JUN 26, 2014
Aida Mulato founded "Jóvenes Artesanos" as a way to rescue and promote mexican craftsmanship. Since 2009 se works with different indigenous communities which she documents through photographs to keep their costumes, traditions, celebrations, gastronomy and crafts processes of our country.
East African visual art scene
BY JEPKORIR ROSE
Jepkorir Rose graduated with a Bachelor of Fine Art from Kenyatta University in 2012 and has worked in Nairobi as a designer before joining Circle Art Agency in 2013. She aims at acquiring the appropriate critical and reflexive tools to help support and build artistic practice in the East African visual art scene.
Building Black Utopias: Modeling the Architectural Principles of African American Literature, 1960-1975
BY CHARLES L. DAVIS, II, PH.D.
@ VOL 17
ON SEP 15, 2016
"We started with several books that looked at the brownstone as a site of intervention."
In Building Black Utopias: Modeling the Architectural Principles of African American Literature, 1960-1975 from PechaKucha Buffalo vol. 17, Charles L. Davis, II, Ph.D., Assistant Professor of Architecture at the University of North Carolina at Charlotte, shows works from his recent exhibition project, Building Black Utopias, and discusses the literature that served as inspiration.
The Building Black Utopias project combines the tools of the architect, the historian and the literary critic to recover the historical contributions of African American writers to architectural utopian thought. It specifically examines the role of literary depictions of place in June Jordan, Amiri Baraka, Paule Marshall and Angela Davis’ writings. Davis argues that each authors’ rhetorical manipulations of the built environment operates on the same level as architectural utopian thought insofar as both mediums created rich, alternative depictions of modernist space to liberate the architect’s imagination. The final exhibit translates the spatial ideas of literature into drawings, models and other ephemera.
Ice House on Main - Heritage Preservation in Support of Community Development
BY JOSE QUINTANA
@ VOL 10
ON FEB 28, 2017
Jose Quintana discusses AdventGX's heritage preservation model - a process that leverages a community centric mix of entrepreneurship, the arts, and science in support of the development of sustainable heritage preservation. The model is market demand driven along three sustainable development vectors: financial, social and environmental.
This conservative approach to community development uses behavioral and experimental economics to mitigate risks and lower barriers to entry when embarking on new heritage preservation initiatives, not only in underserved urban communities but also in rural settings where heritage based assets are particularly important contributors to quality of life improvements.
Kathak Dance – Lost and Redeemed Cultural Heritage
Travel in time to Indian and Mughal history when Kathak dance was at its zenith. The decline and destruction of cultural heritage and Kathak dance during the British colonial rule. To reclamation in the post colonial rule of Indian history and art and its impact and influence on Kathak dance today.
Build Your Own Science
BY MARVIN TATE
@ VOL 48
ON DEC 12, 2018
Marvin Tate is a performance poet, lyricist, published author, collected visual artist and educator. His work references African American history, speaks of personal and family history, and touches upon broader themes of cultural and political segregation, while addressing his own identity.